![]() Balancing concerns about long-term storylines with immediate decisions about what take to use momentarily, Dunn surveyed the monitors, watching live feeds from inside the arena, pretaped segments and material from the previous night that had been delivered by satellite. Murmuring into a headset, his eyes scanned the busy monitors. On Tuesday, in a truck full of people in polo shirts and shorts, Dunn wore a pinstripe suit jacket. Kevin Dunn, executive producer of all of the company's programming and a 26-year employee, still supervises shows on the road from this room. ![]() The brain of the broadcast, deep within the video truck and connected to another TV truck and the arena by fiber-optic cables and to WWE headquarters by satellite, is a room with more than 20 32-inch high-def TVs. The show was in town to entertain a crowd of 6,000 for three and a half hours during an evening that TV audiences would see as two full shows and part of a third. ![]() He sat facing a bank of high-definition monitors, each divided into multiple picture-in-picture segments, in a state-of-the-art TV-production truck that was parked behind the Times Union Center in Albany on Tuesday night. "If NASCAR is the First Infantry, we're the Navy SEALS," said Dave Taylor, a senior tape operator for WWE TV broadcasts.
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